• Eduardo Sacco Caprotti

    Human movement has been the fulcrum of Eduardo’s interests for over 20 years.
    Sports scientist by trade, his desire to keep learning brought him to explore physical training and therapy, dance and performance, wrestling and boxing. He has a genuine curiosity in how bodies meet themselves, others and the situations they are in. He loves finding ways of bridging worlds that are often kept apart creating inclusive and playful grounds where we can share and co-create. He has worked in a variety of settings with a broad range of people both in Italy and Australia and runs a number of workshops in Queensland, Victoria and South Australia.
    Playfulness and creativity in relation to communication and athletic development have become of great interest to him. It is through cultivating this interest that he has decided to share, through physical practices, how to embrace with confidence the ever changing nature of human movement, life and performance.

  • Katie Cawthorne

    Katie is an Adelaide based director, theatre-maker, and teaching artist, and is co-founder of The Anchor theatre company with playwright Laura Lethlean. She has directed There’s an elephant in the room (NICA, 2025); Fall With Me (NICA, 2024); VCE Top Acts (Melbourne Recital Centre, 2024); Within These Walls (NICA, 2023); Cactus (La Mama remount for VCE Playlist, 2023); Pillow Fight (Festival tour 2023 – Wellington, NZ/Castlemaine, Vic/Gasworks, 2022) Body Horror (La Mama, 2022); DREDGE (National Theatre Drama School, 2022); Cactus (La Mama, 2021; RAV tour, 2022); Sempiternal (National Institute of Circus Arts, 2022); HONEY (National Theatre Drama School, 2021); Hell’s Canyon (RAV tour, VCE Playlist, 2021/La Mama/Old 505, 2018; ) Circuit (Art Not aPart Festival Canberra 2020); The Three Graces (Theatreworks, 2019) and Two Hearts (The Butterfly Club, 2019). Katie was the Artistic Director of Canberra Youth Theatre from 2015 to 2018, directing SKIN; The 24 Hour Butoh Project; The Verbatim Project; The Greek Project – Antigone; poem every day; Filtered and Fading with the company. She has just finished up her role as the Performance Studies Co-ordinator at the National Institute of Circus Arts (NICA) and is now moving back into freelancing after relocating from Melbourne at the beginning of 2026. Katie studied at the National Institute of Dramatic Arts (NIDA) receiving a Master of Fine Arts in Directing.